{"id":1509,"date":"2024-09-25T12:08:24","date_gmt":"2024-09-25T09:08:24","guid":{"rendered":"https:\/\/trustedresponse.net\/?p=1509"},"modified":"2024-10-05T12:56:47","modified_gmt":"2024-10-05T09:56:47","slug":"the-most-popular-tv-show-from-your-birth-year","status":"publish","type":"post","link":"https:\/\/trustedresponse.net\/index.php\/2024\/09\/25\/the-most-popular-tv-show-from-your-birth-year\/","title":{"rendered":"The Most Popular TV Show From Your Birth Year (1951-1990)"},"content":{"rendered":"

<\/a> 1. 1986-1990: The Cosby Show<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

1990 was the final year of <\/span><\/span><\/span>The Cosby Show<\/i><\/span><\/span><\/span>\u2018s grip on the top spot, and the show would be off the air by 1993. The rise of the hip-hop era <\/span><\/span><\/span>may have had much to do<\/span><\/span><\/span> with <\/span><\/span><\/span>The Cosby Sho<\/i><\/span><\/span><\/span>w’s demise, as the image of a white-collar nuclear family did not seem to mesh with the realities of most Black Americans by the early 1990s.<\/span><\/span><\/span><\/p>\n

While <\/span><\/span><\/span>The Cosby Show<\/i><\/span><\/span><\/span> will always be beloved among large portions of fans across racial lines, the public has since gravitated towards more graphic, less idealistic entertainment brands.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 2. 1985: Dynasty<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Dynasty<\/i><\/span><\/span><\/span> relied on a feuding family trope as old as time (see: The Capulets v. The Montagues, the Hatfields vs. The McCoys) to garner strong ratings throughout its nine-season run. Like <\/span><\/span><\/span>Yellowstone<\/i><\/span><\/span><\/span> today, the never-ending drama of uber-wealthy families with blue-collar ties (in this case, the oil business) proved magnetic for viewers trapped in suburbia. <\/span><\/span><\/span><\/p>\n

The show’s fifth season was its high water mark, as it edged out <\/span><\/span><\/span>The Cosby Show<\/i><\/span><\/span><\/span> as the most-watched program of the year.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 3. 1981-1984: Dallas<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Season 7 was <\/span><\/span><\/span>Dallas<\/i><\/span><\/span><\/span>\u2018 final year atop the national rankings, capping a four-year run as the most-viewed program in America. You’ll rarely find a show that maintains the public’s interest for nearly half a decade, making <\/span><\/span><\/span>Dallas<\/i><\/span><\/span><\/span> one of the most successful series in history.<\/span><\/span><\/span><\/p>\n

The series’ popularity in the 1980s set the stage for a three-season reboot <\/span><\/span><\/span>from 2012 to 2014<\/span><\/span>. Predictably, the second iteration of <\/span><\/span><\/span>Dallas<\/i><\/span><\/span><\/span> did not garner the viewership of the original, but its very existence speaks to the original show’s cultural significance.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 4. 1980: Three’s Company<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

John Ritter lived the dream in <\/span><\/span><\/span>Three’s Company<\/i><\/span><\/span><\/span>, which had a highly-rated, critically acclaimed run between 1976 and 1984. Ritter played Jack Tripper, a single man who can hold his own in the kitchen of the apartment he shares with Janet and Chrissy.<\/span><\/span><\/span><\/p>\n

Hilarity and just a sprinkle of real-life dramatics made <\/span><\/span><\/span>Three’s Company<\/i><\/span><\/span><\/span> a compelling watch, so much so that it rose to the top of the ratings in 1980. It was a brief stint on top, but one that remains etched in the Nielsen rating history books.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 5. 1978-1979: Laverne & Shirley<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Audiences could not get enough of the quick-witted Laverne and Shirley in the late 1970s. The duo held their own in a man’s world (as bottle cappers at a brewery), and creator Garry Marshall (Penny’s brother) kept the storylines varied enough to keep America tuning in.<\/span><\/span><\/span><\/p>\n

The show would soon come to an end after Cindy Williams left the show in 1982, <\/span><\/span><\/span>reportedly over a pregnancy-related dispute<\/span><\/span><\/span>.<\/span> Other cast departures signaled the show was not long for air, though it had a remarkable run as one of America’s most beloved sitcoms.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 6. 1977: Happy Days<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Nostalgia proved a powerful magnet for American audiences in the 70s and early 80s. Garry Marshall’s <\/span><\/span><\/span>Happy Days<\/i><\/span><\/span><\/span> captured the slick-haired, collar-popped cool of the 1950s. While Henry Winkler’s Fonzie was undoubtedly a bit of a caricature, he was a welcomed throwback in a rapidly changing world (disco?) in the mid-to-late 1970s.<\/span><\/span><\/span><\/p>\n

Ron Howard played the straight-laced Richie Cunningham learning the ropes from the Fonz, but it was primarily Winkler’s allure that propelled <\/span><\/span><\/span>Happy Days<\/i><\/span><\/span><\/span> to the top of the ratings chart in its third season.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 7. 1972-1976: All in the Family<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

All in the Family<\/i><\/span><\/span><\/span> spent its final year at the top of the Nielsen ratings in 1976. Nothing lasts forever. At times, though, America’s love affair with <\/span><\/span><\/span>All in the Family<\/i><\/span><\/span><\/span> seemed like it would.<\/span><\/span><\/span><\/p>\n

The show concluded its final season in 1979 but would live on as <\/span><\/span><\/span>Archie Bunker’s Place<\/i><\/span><\/span><\/span>. The latter was not a Norman Lear project and <\/span><\/span><\/span>failed to garner the critical praise<\/span><\/span><\/span> of its predecessor despite remaining on air for four seasons. Spinoffs are rarely a good idea, and <\/span><\/span><\/span>All in the Family<\/i><\/span><\/span><\/span> arguably deserved to stand alone.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 8. 1971: Marcus Welby, M.D.<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

The precursor to medical dramas like <\/span><\/span><\/span>ER<\/i><\/span><\/span><\/span> and <\/span><\/span><\/span>House<\/i><\/span><\/span><\/span>, <\/span><\/span><\/span>Marcus Welby, M.D.<\/i><\/span><\/span><\/span>, earned one year as the top-rated show in the United States. Something about complicated medical ailments draws Americans’ attention, particularly when the leading man is able to pull cures out of the most unlikely places.<\/span><\/span><\/span><\/p>\n

Dr. Marcus Welby (played by the patriarchal Robert Young) navigated a complex American medical system for seven seasons. James Brolin portrayed his probing understudy, Dr. Steven Kiley, and the show <\/span><\/span><\/span>won multiple Emmys<\/span><\/span><\/span> throughout its commendable run.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 9. 1969-1970: Rowan & Martin’s Laugh-In<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Americans had never seen the upbeat comedy stylings of <\/span><\/span><\/span>Rowan & Martin’s Laugh-In<\/i><\/span><\/span><\/span>, which broke the mold of more highly scripted television. The feel of spontaneity and comedic boundary-pushing was clearly exciting for viewers, who made <\/span><\/span><\/span>Rowan & Martin’s Laugh-In<\/i><\/span><\/span><\/span> the top-rated show for two years running.<\/span><\/span><\/span><\/p>\n

The show won seven Emmys during its six-season run, including the 1969 Golden Globe for Best TV Show. This show is not spoken of nearly enough as a pioneering venture that paved the way for later live and sketch comedy shows.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 10. 1968: The Andy Griffith Show<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Sheriff Andy Taylor and Barney Fife hold a special place in the hearts of Americans of a certain age. The duo enforced the law in Mayberry in the most comedic manner possible while Sheriff Taylor navigated life as a single father raising the precocious Opie (Ron Howard). A truly wholesome show the whole family could watch, it’s no surprise to find <\/span><\/span><\/span>The Andy Griffith Show<\/i><\/span><\/span><\/span> was the most-viewed program in 1968.<\/span><\/span><\/span><\/p>\n

One of the last hits to appear in black and white, <\/span><\/span><\/span>The Andy Griffith Show<\/i><\/span><\/span><\/span> signaled both the height and the end of an era. Though it eventually switched to color, the lasting memory of Sheriff Taylor and his Deputy will remain color-free.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 11. 1965-1967: Bonanza<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

1967 was <\/span><\/span><\/span>Bonanza<\/i><\/span><\/span><\/span>\u2018s final year as the nation’s most-watched show, though it would continue to see solid ratings until going off air in 1973. The intra-family drama was just as compelling as the Cartwright family’s squabbles with outside threats, making <\/span><\/span><\/span>Bonanza<\/i><\/span><\/span><\/span> something of a Western soap.<\/span><\/span><\/span><\/p>\n

Bonanza<\/i><\/span><\/span><\/span> was appointment television during a time when the family would gather around the television together. Regardless of your age, odds are that someone in your family (for me, my grandparents) has a fond connection to <\/span><\/span><\/span>Bonanza<\/i><\/span><\/span><\/span>.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 12. 1963-1964: The Beverly Hillbillies<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Based on its cultural significance, you might be surprised to learn that <\/span><\/span><\/span>The Beverly Hillbillies<\/i><\/span><\/span><\/span> topped the ratings for only two seasons. That’s an accomplishment, but two seasons of top ratings do not adequately capture the show’s popularity.<\/span><\/span><\/span><\/p>\n

The Clampetts <\/span><\/span><\/span>commanded top-20 ratings<\/span><\/span><\/span> throughout its nine seasons. However, <\/span><\/span><\/span>The Beverly Hillbillies<\/i><\/span><\/span><\/span> and a slew of other rural-themed shows would be dashed in a move known as <\/span><\/span><\/span>the \u201crural purge.<\/span>\u201d<\/span><\/span><\/span> The 1970s took a hard break from the country bumpkin brand of comedy that <\/span><\/span><\/span>The Beverly Hillbillies<\/i><\/span><\/span><\/span> typified.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 13. 1962: Wagon Train<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

A younger audience might look back on shows like <\/span><\/span><\/span>Gunsmoke<\/i><\/span><\/span><\/span>, <\/span><\/span><\/span>Wagon Train<\/i><\/span><\/span><\/span>, and <\/span><\/span><\/span>Bonanza<\/i><\/span><\/span><\/span> and assume that the most popular shows in the 50s and 60s were carbon copies. It was a more conservative time in which television studios were less daring, more confined by morality laws, and catering to a public that did not necessarily have a taste for salacious television.<\/span><\/span><\/span><\/p>\n

Wagon Train<\/i><\/span><\/span><\/span> is a classic Western that follows post-Civil War travelers from Missouri and California. It’s not unlike the acclaimed HBO show <\/span><\/span><\/span>Deadwood<\/i><\/span><\/span><\/span>, although <\/span><\/span><\/span>Wagon Train<\/i><\/span><\/span><\/span> is undoubtedly far less profane (and, in a sense, less realistic).<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 14. 1958-1961: Gunsmoke<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Gunsmoke<\/i><\/span><\/span><\/span> originated in 1952 as a radio program<\/span><\/span><\/span>. The popularity of the radio show made for a smooth adaptation to television, and audiences’ enthusiasm for the visual version of <\/span><\/span><\/span>Gunsmoke<\/i><\/span><\/span><\/span> proved immense.<\/span><\/span><\/span><\/p>\n

CBS would produce a handful of <\/span><\/span><\/span>Gunsmoke<\/i><\/span><\/span><\/span> reboots in the 80s and 90s. Imitation may be the greatest form of flattery, but it’s not necessarily a recipe for replicating ratings. In this case, the reboots paled compared to the original, a long-running #1 hit.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 15. 1957: I Love Lucy<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Lucy was not gone from the top ratings spot for long. While the quiz show intrigue proved compelling, it did not have the staying power of Lucille and Ricky Ricardo’s high-energy chemistry. <\/span><\/span><\/span><\/p>\n

I Love Lucy<\/i><\/span><\/span><\/span> incorporation of song and dance helped ensure the show never got stale. The beloved comedy series remains one of the most highly regarded sitcoms in TV history, and it <\/span><\/span><\/span>w<\/span><\/span>on four Emmys<\/span><\/span><\/span> throughout six seasons.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 16. 1956: The $64,000 Question<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Americans took a momentary break from I Love Lucy to tune into <\/span><\/span><\/span>The $64,000 Question<\/i><\/span><\/span><\/span>. The most popular quiz show of the decade, American audiences lived vicariously through contestants who vied to win $64,000. <\/span><\/span><\/span><\/p>\n

Perhaps the most interesting aspect of this show was <\/span><\/span><\/span>its involvement<\/span><\/span><\/span> in the \u201cquiz show scandals\u201d of the 1950s. While audiences believed the shows were spontaneous, the truth emerged that shows had a heavy element of scripting. This led to Congressional hearings and one of the most bizarre chapters in American television history.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 17. 1953-1955: I Love Lucy<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

By its third season at the top of the Nielsen ratings, the Ricardos had cemented their place in America’s heart. Even with Philip Morris overtly sponsoring the show (<\/span><\/span><\/span>smoking was required of the cast<\/span><\/span><\/span>), the show maintained a raw authenticity that kept audiences tuned in.<\/span><\/span><\/span><\/p>\n

It was darkly ironic that Lucille Ball would eventually <\/span><\/span><\/span>succumb to cardiovascular disease<\/span><\/span><\/span>. Her fearless willingness to leave her heart and soul on the screen made the show phenomenally popular.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 18. 1952: Arthur Godfrey’s Talent Scouts<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Arthur Godfrey’s Talent Scouts<\/i><\/span><\/span><\/span> began as a radio show, but evolved into a television program <\/span><\/span><\/span>some have described<\/span><\/span><\/span> as the precursor to shows like <\/span><\/span><\/span>The Voice<\/i><\/span><\/span><\/span> and <\/span><\/span><\/span>American Idol<\/i><\/span><\/span><\/span>. 40 million listeners tuned into Godfrey’s show weekly to hear the talent sing but also take in Godfrey’s commentary.<\/span><\/span><\/span><\/p>\n

Unsurprisingly, the show translated well to television, becoming the most-watched program of 1952. More than 70 years later, Americans are still enamored with the large-scale talent shows Arthur Godfrey popularized.<\/span><\/span><\/span><\/p>\n

<\/p>\n

<\/a> 19. 1951: Texaco Star Theater<\/span><\/span><\/span><\/h2>\n

\"\"<\/p>\n

Described as a comedy-variety show, <\/span><\/span><\/span>Texaco Star Theater<\/i><\/span><\/span><\/span> was hosted by Milton Berle and began as a radio program. Like many shows of the era (like Arthur Godfrey’s <\/span><\/span><\/span>Talent Scouts<\/i><\/span><\/span><\/span> and <\/span><\/span><\/span>Gunsmoke<\/i><\/span><\/span><\/span>), a loyal radio audience proved willing to follow the show’s transition to telecast.<\/span><\/span><\/span><\/p>\n

Berle <\/span><\/span><\/span>earned the nickname \u201cMr. Television<\/span><\/span><\/span>\u201d<\/span><\/span><\/span><\/a> for good reason, as he helped catapult the show to the top of the ratings in a day when television ratings were still a brand-new thing.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

1. 1986-1990: The Cosby Show 1990 was the final year of The Cosby Show\u2018s grip on the top spot, and the show would be off the air by 1993. The rise of the hip-hop era may have had much to do with The Cosby Show’s demise, as the image of a white-collar nuclear family did […]<\/p>\n","protected":false},"author":1,"featured_media":1510,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/posts\/1509"}],"collection":[{"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/comments?post=1509"}],"version-history":[{"count":5,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/posts\/1509\/revisions"}],"predecessor-version":[{"id":1601,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/posts\/1509\/revisions\/1601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/media\/1510"}],"wp:attachment":[{"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/media?parent=1509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/categories?post=1509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/trustedresponse.net\/index.php\/wp-json\/wp\/v2\/tags?post=1509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}